Photo by Joan Marcus |
Matthew Rhys as Jimmy rages across the stage, sounding off his working class frustrations on his temperate upper-crust wife Alison, who does not fight back, who plays games to make him forget his anger. The relationship is volatile and can hardly be sustained and when Alison’s friend Helena comes to visit, Alison quickly finds a way out. This crucial point is never fully realized for me. Alison just goes along and leaves but the moment when she makes up her mind is never properly shaped. It felt like Helena took away that choice from her.
Gold made a choice to pull some passages from Jimmy’s speeches regarding the socio-economics of the time (post-war London). I think he wanted to create the love relationship as the central figure. Without those themes it does lack some of the reasoning behind Jimmy’s caustic speeches. Matthew Rhys as Jimmy was scathing and I couldn’t look away as he pushed and pulled every other character within his sphere. Jimmy was unfulfilled at the dead-end-ness of his life and there was nothing to shake him out of his anger. And as much as he loved Alison, he raged against her most of all because he knew down to his bones that he would lose her eventually. No one could love another with so much cruelty and not expect a departure. I loved his performance. I read the NY Times review about how he didn’t go far enough and I have to disagree. To make it bigger would have hardly given the audience a chance to sympathize with Jimmy when Alison finally leaves..
When Alison returns and Jimmy and Alison have their moment together, it crushed the air out of my lungs from the raw impact of that scene between them. Sarah Goldberg was genius in that scene with Rhys, as she played a nuanced, vulnerable performance.
It’s a tough play but at the end of it…I was reminded why I love theater so much.
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