Last night, I went to see Close Up Space by Molly Smith Metzler currently in previews at the Manhattan Theater Club. I haven’t stopped thinking about the craft of the play. The story has SO much potential but I don’t think it’s quite fully realized. It had some interesting and beautiful elements to it, like the way Harper (the daughter) uses the Russian language and poetry as a way of communication with her father Paul. And the great chasm between them created by Harper’s mother’s death. Rich, interesting back story.
Instead, this piece gets mired with weird office antics. There are several characters that could well be cut out and never missed, i.e. the intern. The office manager is there for comic relief but winds up coming off like a Zach Galifianakis wanna-be character.
No disrespect to Rosie Perez but she was completely miscast as the superstar writer, Vanessa Finn Adams. She shrieked through her scenes and she had trouble enunciating words that were supposed to give her an air of intellect and sophistication. Her final exit was a Shakespeare piece but I couldn’t tell you which one it was because I could barely understand her. Metzler was starting to use the character of Vanessa Finn Adams as Paul’s confidant but I think Metzler could have gone further with that relationship, shy of a consummated sexual relationship. That way when Vanessa finally leaves it’s not just a professional blow but a personal one too as another relationship slips through Paul’s fingers.
Okay, the best moments are David Hyde Pierce as Paul sitting in a tent dictating a letter to his daughter. It was painful and beautiful to witness. The other moment was Paul’s confrontation with Harper as she tried desperately to communicate with her emotionally distant father. They were by far the two strongest scenes.
Last but not least, big shout out to Todd Rosenthal for his set design. It was absolutely perfect. He worked some serious magic on this set.
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